This studio has acquired direct experience with a number of University Music Programs. We have listed many of them here:
Applications and preliminary audition materials are normally submitted in early December for fall enrollment in all Boston Conservatory programs.
Voice:
Every aspect of your musical training at The Boston Conservatory focuses on you and your professional readiness. The Music Division's curriculum includes traditional musical training-private lessons, ensembles, sight singing, music theory, music history, and ear training, as well as classes like Career Skills for Musicians that focus on you as a whole artist. The variety of performance and creative opportunities here gives you pre-professional real world experience and deepens and enhances your training at The Boston Conservatory. You will learn from professional artists: top-notch teachers who are also today's most active soloists and conductors and nationally and internationally known guest artists. As a result, our students and alumni win prestigious competitions and can be found performing and conducting all over the world.
Requirements:
All works are to be performed from memory.
For auditions in Boston at The Boston Conservatory an accompanist will be provided. For regional auditions voice applicants must provide their own accompanist. Pre-recorded accompaniment is not allowed.
Applicants must be prepared to perform all of the following:
Recorded Audition Requirements:
Applicants who send a recorded audition are required to supply a written statement along with the recording stating that the performance is their own and has been performed without editing.
For information about the application process go to:
http://www.bostonconservatory.edu/s/940/TwoColnrot.aspx?sid=940&gid=1&pgid=315#undergradVOICE
Musical Theater:
The Theater Division's curriculum includes all of the components of theater performance training—acting, speech, dance, theater movement, voice, musicianship, directing, stagecraft, and theater academics—but the focus on musical theater training is what sets us apart. Students will take a unique and comprehensive set of courses that include small and large ensemble training, solo interpretation, cabaret, and intensive script and score analysis from the major genres of musical theater.
Audition Requirements:
In-Person Auditions
Undergraduate and Graduate
Acting
Two short, contrasting monologues: one from modern, post-war literature; one from classical literature. Examples of post-war dramatists are Miller, Williams, Albee, Inge, and Shepard. It is suggested that the classical piece be chosen from Shakespeare’s comedies and histories or from Moliere. A 4-minute time limit for the total acting portion of the audition will be strictly enforced.
Voice
Two brief, contrasting songs from the Broadway repertoire: one ballad and one upbeat selection. Songs should demonstrate vocal quality, phrasing, rhythmic skills, and lyric interpretation. Choose songs that express a character’s feelings rather than tell a story (avoid narrative songs like “Nothing” from A Chorus Line). Again, a 4-minute time limit for the total singing portion of the audition will be strictly enforced. An accompanist will be provided for Boston auditions only. Music must be properly marked and transposed (if necessary). At regional sites, applicants must bring a pre-recorded accompaniment for auditions.
For more on the audition and application processes:
http://www.bostonconservatory.edu/s/940/TwoColnrot.aspx?sid=940&gid=1&pgid=367
The Carnegie Mellon School of Music provides a rigorous musical education within a major research university setting. The curriculum is designed to fully prepare students for careers by balancing the classical with the contemporary and blending traditional instruments with the most modern technologies.
Requirements:
Voice:
Candidates are expected to have a voice with professional potential and some experience in solo singing. Note that the Voice Performance program in the School of Music is separate from the Musical Theater program in the School of Drama, and application to one program does not provide immediate consideration in the other. Candidates for the vocal performance program must undergo two auditions, the first of which involves review of a CD recording which meets the following requirements:
School of Music, CFA 108
Carnegie Mellon
5000 Forbes Avenue
Pittsburgh, PA 15213- 3890
In the past the voice faculty has convened during the first week of December to review the CDs. Results of the review were forwarded in writing by the end of December. If the results of this first audition are favorable, the candidate’s live audition reservation will be confirmed. Applicants who do not achieve a favorable result following the first audition, and applicants who did not submit an audition recording by early December were not considered for a live audition.
Candidates who proceed to the live audition will be expected to perform the three selections indicated on the recording. Some sight-singing may be required as well. Those who require the services of a School of Music accompanist must forward copies of the music to the address above. Music must be double-sided, separated by paperclip, labeled with the applicants name, in the desired key, and with clearly designated marks for cuts, etc. An accompanist is provided in the Pittsburgh audition venue.
Questions at any point in this process should be directed to:
Michele McGregor
Director of Recruitment and Enrollment
School of Music Admissions Office
Telephone: (412)268-4118
FAX: (412)268-3222
Email: mtmcgreg@andrew.cmu.edu
The Benjamin T Rome School of Music
As Washington, D.C.'s conservatory, The Benjamin T. Rome School of Music students applying to most undergraduate music degree programs are required to audition in their major performance area and submit a complete application (https://applyonline.cua.edu/select.cfm?type=UGRD) for admission to The Catholic University of America,
Requirements:
Voice:
Applicants should prepare a 10-minute audition of standard classical repertoire. Please call the school of music if you need a clarification regarding the standard repertoire or are uncertain about the appropriateness of a work you plan to audition. Audition committees reserve the right to select audition pieces. The audition should consist of three pieces in contrasting tempos and styles. An accompanist will be provided for voice auditions.
In the past auditions for the music undergraduate program have been held from early December (for early application) through early march. We recommend watching the School of Music’s website:
http://music.cua.edu/ and the voice program’s website:
http://music.cua.edu/audition/index.cfm
Musical Theater:
Applicants for the undergraduate program in musical theatre should bring a photo and résumé of musical/dramatic experience and prepare the following voice, acting and dance audition:
Voice:
Two songs from musicals. The songs must be in contrasting styles (ballad, up-tempo); one must be from a musical written before 1960; each should be of a two-minute maximum duration; each must be memorized. Please bring copies of your music. An Accompanist will be provided.
To read about the Musical theater program at Catholic University and look at the requirements for completing an undergraduate degree in Musical theater go to:
http://music.cua.edu/audition/index.cfm
Christopher Newport University is a dynamic, thriving institution where you’ll find dedicated professors and small classes that are the hallmark of a private liberal arts education, and magnificent facilities that few institutions can rival.
Requirements:
Voice:
The music program at Christopher Newport University is accredited by the National Association of Schools of Music and offers courses in music education, history, theory, ear training, literature, pedagogy, performance, and conducting.
Applicants for a voice major or minor should have two memorized selections prepared for the audition (art song, aria or sacred song). One selection should be in a language other then English. The applicant may bring an accompanist, or one will be provided by CNU. Sight reading will be determined by the jury.
The first step in auditioning for the Department of Music is to complete and submit online the Music Application (http://music.cnu.edu/musicapp.html ). Once the Music Application is received, the department will contact the student to arrange an audition time and to provide the student with more information. Students who are auditioning are eligible to participate in Music Major for a Day, held the Friday before the audition.
For more information about he CNU vocal program go to:
http://music.cnu.edu/
Theater:
To become a theater major at CNU you need to fill out a letter of intent
and declare your major
once you have gained acceptance into the University as a whole.
For more information about the CNU theater program go to:
http://theater.cnu.edu/whatwedo.html
For an overview of the musical theater program go to:
http://www.ccm.uc.edu/academics/MusTheatre-CCMinsert-LORES.pdf
Auditions for the musical theatre program are held in Cincinnati in December, January and February. Additional auditions are held in Atlanta in January and in New York, Chicago, Las Vegas and Los Angeles as part of the Unified Theatre Auditions in February. We see an enormous number of applicants each year and audition slots fill rapidly. Please apply early to avoid disappointment. You may schedule an audition time or request further information using the UC-CCM Online Application (http://www.ccm.uc.edu/admissions/application.aspx ).
For further information about audition dates and times, please visit the CCM Auditions Website (http://www.ccm.uc.edu/admissions/index.aspx ) or contact our Office of Admissions at the address below:
College-Conservatory of Music Office of Admissions
University of Cincinnati
P. O. Box 210003
Cincinnati, OH 45221-0003
Telephone: (513) 556-9479
Fax: 513/556-1028
E-mail: ccmadmis@uc.edu
the CCM offers an extensive list of do’ and don’ts for auditioning at their school to read the list in full ( and we recommend you do) go to:
http://www.ccm.uc.edu/musical_theatre/dos.htm
for more information about the program in general go to:
www.ccm.uc.edu/musical_theatre
Voice:
For an overview of the voice program go to:
http://www.ccm.uc.edu/academics/VOICE-CCMinsert-LORES.pdf
In the past auditions were held from November through December. However, since the Cincinnati Conservatory holds auditions in several major cities, it is best to keep an eye on their website:
http://www.ccm.uc.edu/admissions/auditiondates.aspx
For information on the application process:
http://www.ccm.uc.edu/admissions/index.aspx
One of the world's leading music schools, Curtis provides full-tuition scholarships to all of its students, ensuring that admissions are based solely on artistic promise. Admission is highly selective, and enrollment is small--about 160 students per year, based on the musicians needed for a symphony orchestra, opera department, and select programs in piano, organ, harpsichord, composition, and conducting.
A Curtis education is uniquely tailored to the individual student, with personalized attention from a celebrated faculty and unusually frequent performance opportunities. This distinctive "learn by doing" approach to musical training has produced an impressive number of notable artists over the school's 84-year history.
The general application for the Curtis Institute can be found at:
http://www.curtis.edu/html/30210.shtml
The application and audition process starts as early as winter of the year before you wish to enter the Curtis Institute. While auditions are held in the early spring, the screening process starts much earlier. For the most up-to-date audition information, audition requirements, scheduling, and procedures go to:
http://www.curtis.edu/html/30220.shtml
Requirements:
Voice (Bachelor of Music and Diploma programs):
All applicants in voice are required to submit a screening CD or DVD (please no audio- or videotapes) in order to be considered for an invitation to audition in person. Name, age, and screening repertoire should appear on the CD or DVD and on the cover; the recording must be sent with the application. Repertoire selections for the screening should include accompaniment and should show contrast in musical styles and tempos. Please make certain the recording is of good quality, as the granting of a live audition will depend upon this.
Vocalists who audition live will be asked to perform up to four selections from memory, showing the character and quality of voice and musicianship. One selection must be in English (not a translation). Three selections must be chosen from the standard oratorio repertoire, German lieder, classic Italian songs, or French and English songs of any period. An aria from an opera or oratorio is welcome but not required. Though an accompanist is provided, voice applicants may supply their own accompanist if they prefer. A short test of musical theory and sight singing may be asked of the applicants in the final round of auditions.
Opera (Master of Music and Professional Studies Certificate programs):
All applicants in opera should follow the same screening requirements listed for the Vocal Studies program.Vocalists who audition live will be asked to perform from memory up to five contrasting arias from the standard operatic repertoire. Though an accompanist is provided, opera applicants may supply their own accompanist if they prefer. A short test of musical theory and sight singing may be asked of the applicants in the final round of auditions.
Voice and Opera:
Eastman’s Voice & Opera program offers an environment of excellence in which the healthiest development of the vocal artist can be achieved. Vocal technique, repertory, and stylistic expertise underlie the growth of expressive, communicative singers. While an operatic career may be the primary focus of many students pursuing majors in vocal performance at Eastman, the curriculum acknowledges that singers must be versatile, artistically creative, and technically secure in order to compete in today’s marketplace.
Requirements:
Three vocal selections in three languages (two from stage works)
For more details on the Audition process, how to schedule an audition go to:
http://esm.rochester.edu/apply/auditions.php
For more about the Eastman’ Voice and Opera program go to:
http://esm.rochester.edu/voice/
College of Arts and Sciences
Department of the Performing Arts
http://www.elon.edu/e-web/academics/elon_college/performing_arts/
Audition Requirements for BFA in Music Theatre
For more information regarding your interview process and other details go to:
http://www.elon.edu/e-web/academics/elon_college/performing_arts/audition.xhtml
For more information on the Musical Theatre program at Elon go to:
http://www.elon.edu/admissions/docs/Music_Theatre.pdf
Musical Theater:
Applicants must first apply for admission to Emerson College before applying to a performing arts program through the StageDoor website. We strongly encourage you to submit your college admission application online through the Common Application in order to expedite processing. Paper applications are still welcome but they take longer to process and could result in fewer audition or interview slots being available to you.
To see the aplication requirements for the Musical Theater program at Emerson College go to:
http://stagedoor.emerson.edu/public/
The audition requirements and dates for students entering the undergraduate program can be found at:
http://stagedoor.emerson.edu/public/index.cfm?id=mt
Jacobs School of Music:
http://www.music.indiana.edu/admissions/
Questions about admissions to the Jacobs School of Music should be forwarded to:
Office of Music Admissions
School of Music
Indiana University
Bloomington, IN 47405
Telephone: (812) 855-7998
E-mail: musicadm@indiana.edu
Requirements:
Voice:
Along with the application to the Jacobs School of Music, all applicants in voice must submit a screening recording to the Office of Music Admissions. This recording must be postmarked no later than December 1, 2007. Recordings will be reviewed by a committee from the Voice Department during the week after the deadline. We encourage you to apply as early as possible and cannot guarantee that recordings which arrive after the December 1 deadline will be heard by committee or considered for advancement in the admission process.
Applicants should prepare:
For more on the audition process go to:
http://www.music.indiana.edu/admissions/auditions/voice.shtml
Musical Theater
http://www.indiana.edu/~thtr/academics/BFA.shtml
All students are admitted into the B.F.A. in Musical Theatre by audition. Application for admittance into Indiana University is separate from the audition. Students are strongly discouraged from auditioning for the musical theatre program unless they have been accepted by Indiana University.In the past auditions have been held on various dates from late fall to early spring.
Requirements:
Please prepare two contrasting songs of 16 to 32 measures each. Material should be chosen that best demonstrates vocal and acting ability. Treat the song as a monologue with a strong sense of character, wants and desires. Who are you singing to, why and what do you hope to achieve. Your music should be clearly marked for the accompanist. We prefer you sing with a piano and not with CD or cassette tape. In addition, prepare one 60 second monologue from any American play. Please limit the total time of songs and monologue to 3 minutes. Please bring picture and resume to the audition. For more information about applying and the audition process go to:
http://www.indiana.edu/~thtr/academics/BFA_application.shtml
Musical Theater:
If you're serious about your future in musical theater, our bachelor of fine arts degree will jump-start your career with a range of coursework and real-world opportunities to let your talent shine. An intensive, performance-oriented major, the musical theater program is designed to offer you professional training in singing and acting techniques with a secondary emphasis in dance. Like many of our graduates, you'll be prepared to work in a range of settings, from Broadway to national and international tours to regional theaters to television and film.
Audition/Interview Information and Requirements
For musical theater audition information, contact:
The Department of Theatre Arts
Ithaca College
201 Dillingham Center
Ithaca, NY 14850-7293
Telephone: (607) 274-3345
Voice:
In this degree program you can pursue liberal arts studies while getting a strong background in music. About three-fifths of your coursework will be in the liberal arts. You'll receive the same rigorous training in your major instrument and in music fundamentals -- history, theory, and repertoire -- as all other music degree programs.
Requirements:
Requirements for B.M. degrees in performance and performance/music education:
Requirements for all other music degrees:
Accompaniment
Vocalists need an accompanist. It is preferred that instrumentalists audition unaccompanied.
Scheduling Your Audition
All applicants to the School of Music are required to schedule an audition. Contact Dianne Zamoiski at the School of Music to register for an audition or to have the audition registration card sent to you dzamoiski@ithaca.edu or 607-274-3366).
Once you have registered for an audition, you will be asked to complete the following for the School of Music's admission office:
Registration for an audition must occur by a minimum of two weeks prior to the intended date. Audition locations and dates, as well as requirements per degree and instrument, can be found by following the links on the left-hand menu.
For More Information
For additional information about auditions, please contact the director of music admission:
Tom Kline
School of Music
Ithaca College
3322 Whalen Center for Music
Ithaca, NY 14850-7240
Telephone: (607) 274-3366
Fax: (607) 274-1727
E-mail: tkline@ithaca.edu
For more information about general admission and the Music programs offered at Ithaca go to:
http://www.ithaca.edu/music/index.php
Admission to the theatre or voice programs at JMU is competitive and an audition is recommended. Admission to JMU itself involves application directly to the undergraduate Office of Admission,
MSC 0101, James Madison University, Harrisonburg, VA 22807.
Requirements:
Voice:
All voice students are required to present two selections of contrasting style with a comfortable level of difficulty. These selections should be of classical nature, either art songs or arias, and one must be in a foreign language. An audition specifically intended to qualify for the music theater program may include one selection from a Broadway musical. Pop and/or folk songs are not acceptable for an audition for any vocal concentration.
Vocalists must sing with a live accompanist at the piano. Taped accompaniments are not acceptable. Singers may bring their own accompanists, which is most desirable, or they may opt to request an accompanist. If a JMU accompanist is requested, rehearsal time will not be available, and singers must provide copies of the music at the audition. Vocalists may be asked to sight sing as part of the audition.
For more information about the professors and programs at the James Madison University School of Music go to:
http://www.jmu.edu/music/index.html
Theater:
Auditionees interested in acting should prepare a 1-2 minute realistic monologue using a character around their own age. A contrasting piece may be done, but is not required. The theatre program makes recommendations in the case of especially talented students.
In addition to the materials you send to the university admissions office, please bring to the audition or send to Mary K. Molineau in the School of Theatre and Dance the following:
If you would like to arrange a visit or a Theatre audition, please contact the theatre office at (540) 568-6342 or e-mail Mary K. Molineu at molinemk@jmu.edu to make appropriate arrangements.
For more information about the James Madison University School of Theater and Dance go to:
http://www.jmu.edu/theatre/thadmis.htm
The Department of Vocal Arts at Juilliard offers the finest and most complete education available. Juilliard's curriculum attends to the specific needs of singers at every stage of their education. Frequent and varied performance opportunities in opera, song, chamber music, and concert repertoire are tailored to allow singers to put their training to use from the moment they arrive at Juilliard.
All applicants for admission to The Juilliard School must perform in person for members of the faculty according to the requirements in their respective departments. Students may be scheduled for a personal interview by members of the faculty and/or administrative staff during the audition period.
Requirements:
Voice is a pre-screened major. All applicants (with the exception of current Juilliard college students) must submit a prescreening tape or CD post-marked by the application deadline in order to be considered for an invitation to a live audition.
Bachelor of Music and Diploma Live Audition Repertoire
1. An Italian art song or aria from 18th century or before.
2. An art song in English (not a translation).
3. A third selection in any language.
Please note: An aria from an opera or oratorio is welcome, although not required.
More about the audition requirements can be found in PDF format at:
http://www.juilliard.edu/pdf/MusicAudRequirementsLinks.pdf
Voice:
As a vocal performance major you will receive thorough technical training, comprehensive in repertoire and styles from the early Baroque to the present. Your training will be brought to fruition through combined work in the studio, outstanding diction classes, and diverse repertoire classes.
Opera Studies and the Opera Major:
Undergraduates may audition for the Opera Studies program—advanced students may be placed in Opera Workshop. In addition, all undergraduates may take Opera Seminar as an elective and also participate in the NEC Light Opera Company (NECLOC).
All Vocal Performance and Vocal Pedagogy applicants are required to submit a preliminary audition CD.* After review, qualified applicants will be asked to present an in-person audition. The repertoire requirements below apply to both the preliminary CD and the in-person auditions. (The in-person repertoire may include different pieces than the preliminary CD but all categories should still be included.) For additional information about the preliminary CD, please refer to the Tape Guidlines (http://www.newenglandconservatory.edu/apply/audtapes.html).
First-year undergraduate applicants should prepare three selections: one song in English, one song in Italian (pre-1800 from any early Italian anthology), and one song in a language of the applicant's choice. No operatic arias, please.
In past years auditions were held throughout February and into early March. To look for upcoming audition dates go to:
http://www.newenglandconservatory.edu/audition/auditiondates.html
For more information about the New England Conservatory and how to audition and apply go to:
http://www.newenglandconservatory.edu/admission/index.html
All prospective students – except those attending the November Open House auditions – must first submit an application for admission to the Steinhardt School at New York University. You can find information on the application process through the appropriate admissions office.
Office of Undergraduate Admissions
Telephone: (212) 998-4500
http://admissions.nyu.edu/
You will receive an e-mail notification that your materials have been received. After those materials have been reviewed you will be contacted if additional information is required. At that point you will be asked to schedule an in-person audition for which you must prepare materials according to the guidelines below. If you cannot travel to New York you will have the option of recording your audition and submitting it on either DVD or VHS videocassette. Please note that recorded materials cannot be returned.
Musical Theater:
The Steinhardt School’s program in Vocal Performance offers music-based training for a career in music theatre performance. Our curriculum is designed for the serious young musician who is seeking a program that fully integrates the study of voice with the study of acting.
Requirements:
Three (3) Contrasting Songs: You must prepare three contrasting songs that you are able to sing from memory. Select one of the songs to sing first. After your first song the committee will make requests from your list. You will probably not be asked to sing all three songs.
Each selection should be no longer than four minutes, but you are free to sing a short section of a longer song or aria. Pick material from either classical or traditional music theatre repertoire. Avoid rock music, pop music, country music, and jazz.
Note: While some movement may be naturally incorporated into your songs, do not choreograph or over-stage your selections. The first criterion for acceptance into this program is vocal ability and vocal potential. We need to determine how you sing, not how you perform.
One (1) Monologue Performed from Memory: Select a monologue (no more than two minutes in length) that allows you to make strong acting choices. A monologue should take you and your audience on a "journey." Your character should be somehow different at the end than he/she was at the beginning. Pick age-appropriate material, and do not do your monologue with any kind of accent or dialect. We need to hear standard speech with good English diction.
Sight-Reading: Testing your ability to sight-sing music helps us determine your basic musicianship skills. You will be provided with a piece of music and will be expected to sing the melodic line. Sight-singing is a skill that singers develop through a process of ear-training. You can, and should, practice this before your audition. Music theory, music history, and keyboard performance are essential elements in any music curriculum. Study and preparation in these areas will also be a great advantage to you.
Find more info about auditions at:
http://steinhardt.nyu.edu/music/theatre/auditions/
For more information about the Musical Theater Program at NYU go to:
http://steinhardt.nyu.edu/music/theatre/
Classical Voice and Opera Studies:
The Steinhardt School’s program in Vocal Performance offers classical singers the opportunity to study in the finest of performance settings. Our training is designed to prepare young singers for professional careers in recital and concert performance as well as opera.
Requirements:
Three (3) Songs: At least one of your songs must be in English and one must be in a foreign language – Italian, German, or French. Your songs must be sung from memory, and each selection should be no longer than four minutes.
Sight-Reading: Testing your ability to sight-sing music helps us determine your basic musicianship skills. You will be provided with a piece of music and will be expected to sing the melodic line. Sight-singing is a skill that singers develop through a process of ear-training. You can, and should, practice this before your audition. Music theory, music history, and keyboard performance are essential elements in any music curriculum. Study and preparation in these areas will also be a great advantage to you.
For more info about the auditions go to:
http://steinhardt.nyu.edu/music/voice/auditions/
For more information about the Classical Voice and Opera Studies go to:
http://steinhardt.nyu.edu/music/voice/
The North Carolina school of the Arts is a University offers undergraduate and graduate degrees, and programs for high school age students.
Requirements:
Voice
Applicants should be prepared to perform from memory at least three selections from the list below. Applicants should select only one from any single category. All voice applicants are required to have an accompanist. The School of Music can provide one for a fee of $25, which will be collected at the time of the audition. (Do not send the accompanist fee to the Office of Admissions.)
More about the school of music go to:
http://www.ncarts.edu/music/
Theater:
For a more detailed version of the theater audition requirements go to:
http://www.ncarts.edu/drama/admissions.htm
For more information about the school of drama go to:
http://www.ncarts.edu/drama/index.htm
The Voice and Opera Program at Northwestern University has a long and illustrious history. Today, program alumni fill the ranks of opera houses and university faculties worldwide. Recent graduates include Met Grand Finals Winner Paul Corona, (BM06), Tucker Foundation Grant Winner Amanda Majeski, (BM06), and Met Finalist and San Francisco Opera Merola participant, Matt Hanscom (BM07).
We are happy to answer any questions about the School of Music or the application process, and encourage you to call us at any time.
For information about the application process go to:
http://www.music.northwestern.edu/admission/undergraduate/
Or:
Office of Music Admission and Financial Aid hours:
Monday through Friday, 8:30 am - 5:00 pm
Before making a special trip, please make an appointment.
Office of Music Admission and Financial Aid
Room 1, Music Administration Building
711 Elgin Road Evanston, IL 60208-1200
Telephone (847) 491-3141
Fax: (847) 467-7440
E-mail: musiclife@northwestern.edu
Requirements:
Applicants are free to choose a program that will best show their ability. Whenever possible, music should be selected from a variety of stylistic periods. The program should be performed from memory and with accompaniment. Note: An accompanist will be provided at campus auditions, but you must provide your own accompanist at regional auditions.
Four memorized selections. Songs may be from the art song repertoire, or a combination of art songs and arias from opera/oratorio. No more than two selections may be arias. One selection must be in Italian, one in English, one in either French or German, and one in any language of your choice.
Northwestern University always holds three audition weekends in January and February of every year. To request an audition go to:
http://schedule.applyyourself.com/?id=nwu-music&pid=1936
Voice:
Curricula
Every year, between 20 and 30 gifted singers enter degree programs in the Conservatory of Music. Taught by faculty members with impressive performance and pedagogical attainments, these students take courses covering technique, performance readiness, musicianship, musical style, and linguistic accuracy. All students take weekly private lessons with a major teacher and participate in studio classes.
Auditions:
Two contrasting selections in French, German, Italian or English. All works should be performed from memory. Recordings must carry statements that performances have been memorized. Accompanists will be provided for on campus voice auditions. Applicants auditioning at a regional site must provide their own accompanists.
All applicants in voice are required to submit a screening CD, audiotape or videotape prior to being invited to audition on campus. If you do not want to be invited to audition on campus, you may submit a recorded audition. Regional Auditions DO NOT require a screening recording.
Screening Recording Requirements:
Past Application/Screening Tape Deadlines for ON CAMPUS VOICE AUDITIONS:
For information about the application process and deadlines, including more info on audition dates and times go to:
http://www.oberlin.edu/con/admissions/application.html
Peabody is one of the schools of The Johns Hopkins University. Thus, Peabody students have access to the resources of the University. A shuttle bus runs hourly between campuses. Double degrees, music minors, etc. can be shared with the Schools of Arts and Sciences and Engineering. Peabody graduates are simultaneously graduates of JHU.
Requirements:
Voice:
For undergraduate applicants intending to audition in person at Peabody, a pre-screening CD recording with three selections must be submitted along with the application. Repertoire should follow these guidelines: Three classical selections are required, at least one in English and one in a foreign language. Selections must be memorized, and should show a variety of styles and tempi.
If you are a Voice Applicant, you must provide your own accompanist.
To look at the Peabody Undergraduate program in Voice go to:
http://www.peabody.jhu.edu/149
All applicants to Shenandoah Conservatory must complete an audition. Applicants are strongly recommended to complete their audition by February in order to be considered for talent scholarships. Applicants are also strongly encouraged to complete the paperwork materials (application, official transcript, SAT scores and recommendation) prior to the audition
Reqirements:
Voice
Areas of Study: Performance, Music Education, Music Therapy, Arts Management, Church Music, Commercial Music, Composition
Theatre and Musical Theatre:
Areas of Study: Acting, Costume Design, Musical Theatre, Scenic and Lighting Design, Theatre for Youth, Arts Management
To learn more about the Shenandoah Conservatory visit their website:
http://www.su.edu/conservatory/scon/welcome/index.htm
The College of Performing Arts (CPA) at The University of the Arts has enjoyed a rich tradition of professional training of dancers, choreographers, instrumentalists, vocalists, composers, actors, directors, theater designers, teachers, and other performing arts professionals for over 135 years.
Requirements:
Voice
Repertoire: All applicants must perform 3 selections total, from any 2 of the following areas:
Sight reading is also a required part of your voice audition at UARTS.
All vocal applicants must perform their repertoire with live piano accompaniment. Students must bring copies of all of their audition music for the accompanist. An accompanist will be provided, however, students have the option of bringing their own accompanist. No recorded accompaniment or a cappella singing will be accepted.
To read more about the vocal programs at The University of the Arts go to:
http://www.uarts.edu/academics/cpa/mu/2242.html
Musical Theater:
All candidates auditioning for the Musical Theater program are required to participate in a group speech and movement warm-up followed by a group dance audition. (If auditioning at a regional or unified site, please come prepared with a short dance solo in lieu of the class) Appropriate attire such as tights, sweats, gym shorts, sneakers, etc., must be worn; jeans, dresses, heels, jewelry, etc., will not be permitted. Students auditioning on campus have the option of supplementing their group audition with a solo dance performance which may not exceed 2 minutes in length. In addition, applicants to the Musical Theater program must perform two monologues from published plays (see “Acting Program” for monologue requirements) and two musical theater songs. Following the monologues, performers will be interviewed by a faculty member.
The musical theater songs must contrast in style and content. One may be an operatic aria, and at least one of the songs must have a strong emotional content. Combined performance time for the two songs must not exceed four minutes. You should be prepared to discuss your choice of material and your interpretation. An accompanist will be provided for on campus auditions ONLY. (Those auditioning at a regional or unified site must bring their accompaniment as well as a device to play it on) Please have the music for your selection prepared before you enter the room. Highlight the selection so it is easy to read. You should not ask the accompanist to change the key; the accompanist will play the music as written.
For more information about the Musical Theater program at the University of the Arts go to:
http://www.uarts.edu/academics/cpa/th/bfamusth.html
For more details on the BFA audition requirements, go to:
http://www.uarts.edu/admission/portaudreqs_cpa.html#mt